{"id":6275,"date":"2020-04-10T06:27:30","date_gmt":"2020-04-10T04:27:30","guid":{"rendered":"http:\/\/puclepucle.com\/nielen-o-typografii-s-rudom-letkom\/"},"modified":"2020-04-10T06:27:30","modified_gmt":"2020-04-10T04:27:30","slug":"nielen-o-typografii-s-rudom-letkom","status":"publish","type":"post","link":"https:\/\/puclepucle.com\/cs\/nielen-o-typografii-s-rudom-letkom\/","title":{"rendered":"Nielen o typografii s Rudom Letkom"},"content":{"rendered":"

Autor fotografie: \u00a9 Martin Kopec<\/small><\/p>\n

Mus\u00edme v\u00e1m poveda\u0165, za v\u0161etko m\u00f4\u017ee k\u00e1va. A e\u0161te plnen\u00e9 croissanty. Keby sme nechodili na k\u00e1vu, asi by sme nemali na\u0161e kr\u00e1sne Pucle od Ruda Letka a jeho ilustr\u00e1ciu k\u00e1vov\u00e9 laborat\u00f3rium<\/a>. Pre\u010do? Nejeden kr\u00e1t sme vysed\u00e1vali vo Vespe v Bratislave, kde Rudova ilustr\u00e1cia vis\u00ed. Sedeli sme, napch\u00e1vali sme sa plnen\u00fdmi croisantmi a rozpr\u00e1vali sme sa o tom, \u017ee presne nie\u010do tak\u00e9 by sme si chceli posklada\u0165. A ke\u010f sme zistili, \u017ee dan\u00e1 ilustr\u00e1cia m\u00e1 aj autora a dokonca je n\u00edm \u0161ikovn\u00fd Slov\u00e1k, no povedzme to takto, boli sme v\u010fa\u010dn\u00e9 za n\u00e1\u0161 k\u00e1vov\u00fd (ne)duh. A tak sme mu nap\u00edsali \ud83d\ude42 A Rudo povedal jasn\u00e9! A bez zbyto\u010dn\u00fdch na\u0165ahova\u010diek boli Pucle na svete.\u00a0<\/em><\/p>\n

 <\/p>\n

    \n
  1. Rudo, povedz n\u00e1m, kto je vlastne Rudo. Tak v skratke, aby si \u013eudia o tebe vedeli spravi\u0165 predstavu napr\u00edklad aj t\u00ed, \u010do o tebe e\u0161te nikdy nepo\u010duli a ne\u010d\u00edtali \ud83d\ude42\u00a0<\/strong><\/li>\n<\/ol>\n

    Pred viac ako 20 rokmi bol Rudo mlad\u00fd dedinsk\u00fd \u0161tram\u00e1k bez brady, vlastniaci motorku zna\u010dky JAWA 21 Pionier \u010dervenej farby, ktor\u00fa z\u00edskal od rodi\u010dov za prv\u00e9 a\u00a0z\u00e1rove\u0148 posledn\u00e9 dobr\u00e9 vysved\u010denie. Potom Rudo zistil, \u017ee ma\u0165 amb\u00edcie je super, tak ich mal mili\u00f3n. Po strastiplnej ceste sa Rudo rozhodol \u017ee jeho amb\u00edciou sa stane svet dizajnu, v\u00a0ktorom dominuje p\u00edsmo ako z\u00e1kladn\u00e1 vizu\u00e1lna \u201ezbra\u0148\u201c. Teraz je Rudo Art Director & Partner v\u00a0\u0161t\u00fadiu GoBigname\u00ae a\u00a0doma ho \u010dak\u00e1 rodina.<\/p>\n

    \u00a0<\/strong><\/p>\n

      \n
    1. Ke\u010f sme narazili na tvoju ilustr\u00e1ciu v danej kaviarni, za\u010dali sme si o tebe zis\u0165ova\u0165 viac. Zistili sme, \u017ee si dizajn\u00e9r, kaligraf, usporiadava\u0161 workshopy ale si aj spoluzakladate\u013eom coworkingu a partner v spolo\u010dnosti GoBigname\u00ae<\/strong>. \u010co je vlastne tvojou hlavnou n\u00e1pl\u0148ou, ktor\u00e1 ti zaber\u00e1 najviac pracovn\u00e9ho \u010dasu a m\u00e1\u0161 ju na prvom mieste?\u00a0<\/strong><\/li>\n<\/ol>\n

      V\u00a0knihe od House Industries \u2013 The proces is the inspiration<\/em><\/a> je na strane 21 n\u00e1dhern\u00fd lettering od Kena Barbera, ktor\u00fd znie nasledovne: \u201eBring your hobbies to work\u201c Netvrd\u00edm, \u017ee t\u00e1to veta mi zmenila m\u00f4j \u017eivot \u010di smerovanie, no minim\u00e1lne potvrdzuje to, \u017ee mojou hlavnou n\u00e1pl\u0148ou je moje hobby, ktor\u00e9 mi zaber\u00e1 v\u0161etok pracovn\u00fd \u010das. Znie to hl\u00fapo, ale ja som skuto\u010dne die\u0165a \u0161\u0165asteny! (Ahoj Mami)<\/p>\n

      \"\"<\/a><\/p>\n

      Autor fotografie: \u00a9 Arch\u00edv\u00a0GoBigname\u00ae<\/small><\/p>\n

      \u00a0<\/strong><\/p>\n

        \n
      1. Ako je to s tebou a tvoj\u00edmi umeleck\u00fdmi za\u010diatkami? Bol si die\u0165a\u0165om, ktor\u00e9 malo ve\u010dne ceruzku v ruke?\u00a0<\/strong><\/li>\n<\/ol>\n

        V detstve mi \u201ev\u0161etko pod\u00e1valo ruky\u201c! Do mojich p\u00e4tn\u00e1stich som pre\u0161iel sn\u00e1\u010f v\u0161etk\u00fdmi kr\u00fa\u017ekami vr\u00e1tane varenia \u010di aran\u017eovania :). Nikde som sa dlho neohrial, st\u00e1le prich\u00e1dzali nov\u00e9 a nov\u00e9, u\u017e spom\u00ednan\u00e9 amb\u00edcie. M\u00f4j svet prelietavosti zmenil a\u017e folkl\u00f3rny s\u00fabor, ktor\u00fd ma formoval cel\u00e9 desa\u0165ro\u010die. Druh\u00fdm nemenej d\u00f4le\u017eit\u00fdm impulzom bola stredn\u00e1 \u0161kola, ktor\u00e1 mi dala vysoko kvalitn\u00fd umeleck\u00fd z\u00e1klad, aj napriek tomu sa v\u0161ak za umelca nepova\u017eujem.<\/p>\n

        \"\"<\/a><\/p>\n

        Autor fotografie: \u00a9 Martin Kopec<\/small><\/p>\n

          \n
        1. \u010co pod\u013ea teba definuje tvoju tvorbu? Ako vn\u00edma\u0161 napr\u00edklad to, \u017ee moment\u00e1lne sa ve\u013ek\u00fd po\u010det \u013eud\u00ed v\u010faka jednoduch\u0161ej dostupnosti k programom naz\u00fdva dizajn\u00e9rmi?<\/strong><\/li>\n<\/ol>\n

          Neviem poveda\u0165 \u010do presne definuje moju tvorbu a\u00a0v\u00f4bec sa za to nehanb\u00edm. Naopak sa neust\u00e1le sna\u017e\u00edm \u201enenapodob\u0148ova\u0165\u201c seba sam\u00e9ho, \u010do je ve\u013emi zlo\u017eit\u00e1 vec. V\u0161etku svoju snahu smerujem k tomu, aby moje skutky hovorili, \u017ee nem\u00e1m derav\u00e9 ruky a\u00a0nie som zbyto\u010dn\u00fd pre spolo\u010dnos\u0165. Na margo druhej ot\u00e1zky: Program nerob\u00ed dizajn\u00e9ra!<\/p>\n

          \"\"<\/a><\/p>\n

          Autor fotografie: \u00a9 Martin Kopec<\/small><\/p>\n

           <\/p>\n

            \n
          1. Je pr\u00edbeh za tvojim kaligrafick\u00fdm p\u00f4soben\u00edm? Ako si sa k takejto z\u00e1\u013eube dostal (\u010di u\u017e je to sk\u00f4r pracovnou n\u00e1pl\u0148ou)? Nach\u00e1dza\u0161 pri kaligrafii oddych po hodin\u00e1ch sedenia za po\u010d\u00edta\u010dom?\u00a0<\/strong><\/li>\n<\/ol>\n

            Pr\u00edbeh mojej kaligrafie m\u00e1 dva scen\u00e1re: Prv\u00fdm s\u00fa hodiny p\u00edsma na strednej \u0161kole, kde sme sa prim\u00e1rne venovali ru\u010dne p\u00edsan\u00e9mu prejavu\u00a0r\u00f4znych \u0161t\u00fdlov. Ten druh\u00fd scen\u00e1r je v\u00fdvoj m\u00f4jho ega a\u00a0s\u00a0n\u00edm spojen\u00e1\u00a0neust\u00e1la potreba dokazova\u0165 svojmu digit\u00e1lnemu publiku, \u017ee toto vytvorila ruka. Ke\u010f sa tieto dva scen\u00e1re spojili dohromady, \u010di\u017ee kvalitn\u00fd stredo\u0161kolsk\u00fd z\u00e1klad a\u00a0chu\u0165 do pr\u00e1ce, akoby prestali existova\u0165 hranice mo\u017enost\u00ed.<\/p>\n

            Prizn\u00e1vam, \u017ee ide\u00e1lnos\u0165 t\u00fdchto scen\u00e1rov bola v\u00a0realite celkom in\u00e1. Na v\u0161etko som dlho ka\u0161\u013eal a\u00a0zauj\u00edmala ma \u010dastokr\u00e1t viac pl\u00e1ca ako pr\u00e1ca. Ke\u010f som kone\u010dne za\u010dal zap\u00e1ja\u0165 kaligrafiu ako svoje hobby v\u00a0pr\u00e1ci, t\u00fdm momentom sa dva spom\u00ednan\u00e9 scen\u00e1re spojili a\u00a0ja v\u00a0pr\u00e1ci jednoducho odpo\u010d\u00edvam.<\/p>\n

            \"\"<\/a><\/p>\n

            Autor fotografie: \u00a9 R\u00f3bert Toman<\/small><\/p>\n

             <\/p>\n

              \n
            1. Ako si na tom ty a vo\u013en\u00e1 tvorba? M\u00e1\u0161 dni, ke\u010f si len tak sadne\u0161 a tvor\u00ed\u0161, alebo pracuje\u0161 najm\u00e4 na zadaniach?\u00a0<\/strong><\/li>\n<\/ol>\n

              Bez tvorby, na konci ktorej nie je klient \u010di budget, by sme sa stali stroje na kumulovanie zisku. N\u00e1sledkom tak\u00e9ho konania je vyhorenie, strata motiv\u00e1cie a\u00a0in\u0161pir\u00e1cie. Bez mo\u017enosti prepn\u00fa\u0165 sa z\u00a0m\u00f3du klient do m\u00f3du vo\u013en\u00e1 tvorba by som neprin\u00e1\u0161al efektivitu predov\u0161etk\u00fdm pre klienta. Tvori\u0165 vo\u013ene znamen\u00e1 objavova\u0165, sk\u00fa\u0161a\u0165 nov\u00e9 techniky a\u00a0prin\u00e1\u0161a\u0165 drobn\u00e9 \u201eobete\u201c. Pozit\u00edvne sk\u00fasenosti potom \u201enalievam\u201c do re\u00e1lnych projektov, \u010do je mojim vysvetlen\u00edm spom\u00ednanej efekt\u00edvnosti pre klienta.<\/p>\n

              \u00a0<\/strong><\/p>\n

                \n
              1. Mot\u00edv K\u00e1vov\u00e9 Laborat\u00f3rium<\/a> bolo p\u00f4vodne ilustr\u00e1ciou vytvorenou pre Standart Magaz\u00edn. Ke\u010f si ilustr\u00e1ciu vytv\u00e1ral, mal si dan\u00e9 zadanie, alebo si sk\u00f4r ilustroval pod\u013ea vlastnej predstavy?\u00a0<\/strong><\/li>\n<\/ol>\n

                Mojim zadan\u00edm bol \u010dl\u00e1nok, ku ktor\u00e9mu som t\u00fato ilustr\u00e1ciu vyrobil resp. t\u00e1to ilustr\u00e1cia mala vystihova\u0165 inform\u00e1cie, ktor\u00e9 dan\u00fd text prin\u00e1\u0161al. Ke\u010f\u017ee sa \u010dl\u00e1nok vo ve\u013ekej miere venoval analytick\u00fdm v\u00fdstupom z\u00a0datab\u00e1z, ktor\u00e9 maj\u00fa pos\u00fava\u0165 odborn\u00fa baristick\u00fa komunitu o\u00a0level vy\u0161\u0161ie, rozhodol som sa nakresli\u0165 ak\u00e9si k\u00e1vov\u00e9 laborat\u00f3rium, ktor\u00e9 bude pr\u00edjemne sprev\u00e1dza\u0165 oko pri \u010d\u00edtan\u00ed textu tohto \u010dl\u00e1nku.<\/p>\n

                \"\"<\/a><\/p>\n

                Autor fotografie: arch\u00edv Rudolf Letko<\/small><\/p>\n

                  \n
                1. Ako to chod\u00ed, ke\u010f je u\u017e ilustr\u00e1cia vytvoren\u00e1 a niekto \u010fal\u0161\u00ed ju chce pou\u017ei\u0165? Stret\u00e1va\u0161 sa \u010dasto s t\u00fdm, \u017ee dok\u00e1\u017ee\u0161 tvoju tvorbu zreprodukova\u0165 vo viacer\u00fdch kan\u00e1loch (ako v tomto pr\u00edpade Standart – Print vo Vespe – Pucle). Je nie\u010do, \u010do funguje v tvojom pr\u00edpade a vedel by si tento sp\u00f4sob odporu\u010di\u0165 za\u010d\u00ednaj\u00facim ilustr\u00e1torom a dizajn\u00e9rom v r\u00e1mci pr\u00e1ce a predaja ich ilustr\u00e1ci\u00ed?\u00a0<\/strong>\u00a0<\/strong><\/li>\n<\/ol>\n

                  Prizn\u00e1m sa, \u017ee vo svete, ktor\u00fd \u017eijem, je reprodukcia n\u00e1padov vo viacer\u00fdch kan\u00e1loch nezn\u00e1mou. Je to najm\u00e4 z\u00a0toho d\u00f4vodu, \u017ee moja pr\u00e1ca v\u00e4\u010d\u0161inou podlieha exkluzivite, ktor\u00fa si u\u00a0m\u0148a klient objedn\u00e1va. Jednoducho povedan\u00e9, sna\u017e\u00edm sa v\u017edy vytv\u00e1ra\u0165 nie\u010do nov\u00e9 a\u00a0\u010do najmenej sa opakova\u0165, \u010do m\u00f4\u017ee by\u0165 aj tak\u00e1 mini rada.<\/p>\n

                  S\u00a0ilustr\u00e1ciou pre Standart to je celkom in\u00fd pr\u00edpad, ktor\u00fd m\u00e1 svoj pr\u00edbeh: Ke\u010f bola ilustr\u00e1cia na svete, vytla\u010dil som p\u00e1r kusov sie\u0165otla\u010dou a\u00a0podaroval svojim zn\u00e1mym. Medzi nimi bol aj m\u00f4j kamar\u00e1t Zolo Kis (presl\u00e1ven\u00fd aj ako Mr. Wood<\/a>), ktor\u00fd je \u201e\u0161tamgastom\u201c a\u00a0kamar\u00e1tom majite\u013ea podniku Vespa, ktor\u00e9mu sa Zolo rozhodol t\u00fato ilustr\u00e1ciu vyfr\u00e9zova\u0165 a\u00a0podarova\u0165. Pr\u00edbeh sa symbolicky uzatv\u00e1ra spozorovan\u00edm Zolovej pr\u00e1ce pri va\u0161om par\u00e1dnom \u201ekapu\u010d\u00ednku\u201c. Tu je d\u00f4le\u017eit\u00e9 poveda\u0165, \u017ee \u017eiaden pr\u00edbeh by sa neodohral, bez zhovievavosti Michala Mol\u010dana, m\u00f4jho kamar\u00e1ta a\u00a0zakladate\u013ea teraz u\u017e svetov\u00e9ho magaz\u00ednu Standart<\/a>.<\/p>\n

                   <\/p>\n

                    \n
                  1. M\u00e1\u0161 nejak\u00fa dobr\u00fa radu pre za\u010d\u00ednaj\u00facich dizajn\u00e9rov?\u00a0<\/strong><\/li>\n<\/ol>\n

                    Amb\u00edcie a pokora! To s\u00fa tvoje zbrane!<\/p>\n

                     <\/p>\n

                      \n
                    1. Je nie\u010do, \u010do si sa po\u010das tvojej praxe nau\u010dil a \u013eutuje\u0161, \u017ee si to nevedel v tvojich za\u010diatkoch?\u00a0<\/strong><\/li>\n<\/ol>\n

                      Ne\u013eutujem ni\u010d, v\u0161etko je tak, ako m\u00e1 by\u0165. Ak by mal de\u0148 48hod\u00edn, bolo by to miestami super, ale inak nie je \u010do \u013eutova\u0165. Tu m\u00f4\u017eem len odporu\u010di\u0165 neodklada\u0165 ni\u010d na zajtra, na potom. Je to choroba, ktor\u00e1 m\u00f4\u017ee ma\u0165 celkom de\u0161trukt\u00edvne n\u00e1sledky.<\/p>\n

                      \u00a0<\/strong><\/p>\n

                        \n
                      1. \u010co ty a skladanie puzzle, pri\u0161iel si niekedy tejto z\u00e1bave na chu\u0165?\u00a0<\/strong><\/li>\n<\/ol>\n

                        Prizn\u00e1m sa, \u017ee a\u017e na p\u00e1r v\u00fdnimiek som sa tejto z\u00e1bave v\u00a0\u017eivote nikdy neodd\u00e1val. Ke\u010f v\u0161ak pozorujem svoju dc\u00e9ru pri skladan\u00ed puzzle, ako si upev\u0148uje vizu\u00e1lnu predstavivos\u0165, logiku a\u00a0jemn\u00e9 motorick\u00e9 schopnosti, skuto\u010dne nenach\u00e1dzam tvorivej\u0161iu alternat\u00edvu pre vo\u013en\u00fd \u010das ako puzzle.<\/p>\n

                        \"\"<\/a>\u00a0<\/strong><\/p>\n

                          \n
                        1. Uvedomujeme si, \u017ee t\u00fdm, \u017ee tla\u010d\u00edme autorsk\u00e9 ilustr\u00e1cie na puzzle, vytv\u00e1rame \u010fal\u0161\u00ed form\u00e1t k prezent\u00e1cii umenia v r\u00e1mci verejnosti. \u010co si ty, ako dizajn\u00e9r, o takejto platforme mysl\u00ed\u0161?\u00a0<\/strong><\/li>\n<\/ol>\n

                          Pri tvorbe ak\u00e9hoko\u013evek vizu\u00e1lu, \u010di sa u\u017e jedn\u00e1 o\u00a0kaligrafiu, ma\u013ebu alebo grafiku, autor o\u010dak\u00e1va v\u00a0pozit\u00edvnom scen\u00e1ri predaj a\u00a0v\u00a0e\u0161te pozit\u00edvnej\u0161om uplatnenie estetickej funkcie v\u00a0priestore. Va\u0161a platforma do ur\u010ditej miery sp\u00e1ja oba spomenut\u00e9 scen\u00e1re, no prin\u00e1\u0161a e\u0161te jeden nov\u00fd rozmer – mo\u017enos\u0165 \u201eprilo\u017ei\u0165 ruku k\u00a0dielu\u201c, \u010do je super!<\/p>\n

                           <\/p>\n

                            \n
                          1. Kaligrafia je taktie\u017e podobne ako aj skladanie puzzle v\u00fdborn\u00fdm sp\u00f4sobom tr\u00e9ningu mozgu, jemnej motoriky ale aj s\u00fastredenia sa. Rob\u00ed\u0161 e\u0161te aj in\u00e9 aktivity, ktor\u00fdmi si tr\u00e9nuje\u0161 mozog?<\/strong><\/li>\n<\/ol>\n

                            Aktu\u00e1lne sa pod\u013ea mo\u017enost\u00ed akt\u00edvne venujem linorytu! T\u00e1to technika ma nap\u013a\u0148a a\u00a0z\u00e1rove\u0148 v\u00a0ni\u010dom nelimituje, je celkom n\u00e1ro\u010dn\u00e1 na exek\u00faciu a dok\u00e1\u017eem s\u00a0\u0148ou cestova\u0165 v\u00a0\u010dase. \u017dia\u013e zatia\u013e len smerom vpred.<\/p>\n

                             <\/p>\n

                              \n
                            1. M\u00e1\u0161 nie\u010do, \u010do \u0165a pri pr\u00e1ci motivuje a pos\u00fava \u010falej?\u00a0<\/strong><\/li>\n<\/ol>\n

                              Moja man\u017eelka! Ke\u010f\u017ee chcem, aby sa jej p\u00e1\u010dilo v\u0161etko \u010do sprav\u00edm, mus\u00edm sa obraca\u0165 aby sa tak stalo. Jej sa ale v\u0161etko nep\u00e1\u010di! Za ve\u013ea jej v\u010fa\u010d\u00edm. \ud83d\ude42<\/p>\n

                              Vo v\u0161eobecnosti ma motivuje n\u00e1zor druh\u00fdch \u013eud\u00ed. To neznamen\u00e1, \u017ee po\u010d\u00favam ka\u017ed\u00e9ho. V\u00a0skuto\u010dnosti to je tak\u00e1 hra o\u00a0tom, do akej miery dok\u00e1\u017eem udr\u017ea\u0165 svoje siln\u00e9 ego a\u00a0z\u00e1rove\u0148 uspokoji\u0165 po\u017eiadavky z\u00fa\u010dastnen\u00fdch. Ten pocit ma\u0165 mo\u017enos\u0165 dot\u00fdka\u0165 sa hviezd a\u00a0by\u0165 pri tom nohami na zemi, ma\u0165 skvel\u00e9 pr\u00edle\u017eitosti a\u00a0z\u00e1rove\u0148 zosta\u0165 oby\u010dajn\u00fdm \u010dlovekom. To ma pos\u00fava \u010falej.<\/p>\n

                               <\/p>\n

                                \n
                              1. M\u00e1\u0161 v bl\u00edzkej bud\u00facnosti napl\u00e1novan\u00e9 nejak\u00e9 zauj\u00edmav\u00e9 projekty alebo v\u00fdstavy, s ktor\u00fdmi by si sa chcel podeli\u0165?<\/strong><\/li>\n<\/ol>\n

                                V\u00a0r\u00e1mci svojho vo\u013en\u00e9ho \u010dasu pripravujem s\u00e9riu linorytov, o\u00a0ktor\u00fdch sa dozvie\u0161 na mojom insta<\/a>.<\/p>\n

                                \u00a0<\/strong><\/p>\n

                                  \n
                                1. \u010co ty a kni\u017eky? M\u00e1\u0161 nejak\u00e9, s ktor\u00fdmi sa ur\u010dite mus\u00ed\u0161 podeli\u0165 a odporu\u010di\u0165 ich?\u00a0<\/strong><\/li>\n<\/ol>\n

                                  S\u00a0knihami som sa za\u010dal kamar\u00e1ti\u0165 neskoro, ale posledn\u00fdch p\u00e1r rokov je to celkom v\u00e1\u017eny vz\u0165ah. V\u00a0r\u00e1mci ned\u00e1vnych a\u00a0jednej s\u00fa\u010dasnej knihy ma oslovili tieto tri: 01. Michael Pollan \u2013 Dilema<\/a> v\u0161e\u017eravce. Kniha pln\u00e1 dych vyr\u00e1\u017eaj\u00facich faktov z\u00a0oblasti produkcie jedla v\u00a0USA. Pri spomienke na t\u00fato knihu, ktor\u00e1 nie je len o\u00a0jedle, mi v\u00a0mysli st\u00e1le rezonuje v\u00fdrok autora: \u201e\u013dudia sa stali n\u00e1strojom svojich n\u00e1strojov\u201d. 02. Jozef Tiso. Autor James Mace Ward<\/a> uv\u00e1dza podtitul \u201cK\u0148az, politik, kolaborant\u201d, ktor\u00fd hovor\u00ed za v\u0161etko. Kniha je komplexn\u00fd obraz Jozefa Tisa a mala by by\u0165 povinnou literat\u00farou stredn\u00fdch \u0161k\u00f4l a na predpis proti obhajobe hl\u00faposti bez znalosti. 03. Storo\u010die chirurgov \u2013 Autorom je J\u00fcrgen Thorwald<\/a> a z\u00e1rove\u0148 je to kniha, ktor\u00fa moment\u00e1lne \u010d\u00edtam. Aj ke\u010f som prakticky na za\u010diatku tejto knihy, viem \u017ee na \u0148u len tak \u013eahko nezabudnem. Kniha poch\u00e1dza z vydavate\u013estva Absynt, ku ktor\u00e9mu m\u00e1m podobn\u00fd vz\u0165ah ako postava Chick z Peny dn\u00ed od Borisa Viana k nakupovaniu diel ob\u013e\u00faben\u00e9ho autora. V mojom pr\u00edpade to nie je autor ale spom\u00ednan\u00e9 vydavate\u013estvo, tie\u017e m\u00e1m rozvinut\u00fa slu\u0161n\u00fa z\u00e1vislos\u0165 na ich nakupovan\u00ed.<\/p>\n

                                   <\/p>\n

                                  Od Ruda m\u00e1me Pucle s n\u00e1zvom K\u00e1vov\u00e9 laborat\u00f3rium a posklada\u0165 si ich viete v n\u00e1ro\u010dnostiach skladania s 200 alebo 500 dielikmi. Tieto Pucle samozrejme aj s r\u00e1mom alebo bez r\u00e1mu.\u00a0<\/a><\/strong><\/p>\n

                                  \"\"<\/a>
                                  Pucle K\u00e1vov\u00e9 laborat\u00f3rium od Ruda Letka<\/figcaption><\/figure>\n

                                  [spb_button button_text=“Pozrite si Pucle od Ruda Letka“ button_size=“standard“ button_colour=“accent“ button_type=“standard“ rounded=“yes“ button_dropshadow=“no“ button_link=“https:\/\/puclepucle.com\/autori\/rudolf-letko“ button_target=“_blank“ align=“center“ animation=“none“ animation_delay=“0″ width=“1\/1″ el_position=“first last“]<\/p>\n","protected":false},"excerpt":{"rendered":"

                                  Autor fotografie: \u00a9 Martin Kopec Mus\u00edme v\u00e1m poveda\u0165, za v\u0161etko m\u00f4\u017ee k\u00e1va. A e\u0161te plnen\u00e9 croissanty. Keby sme nechodili na k\u00e1vu, asi by sme nemali na\u0161e kr\u00e1sne Pucle od Ruda Letka a jeho ilustr\u00e1ciu k\u00e1vov\u00e9 laborat\u00f3rium. Pre\u010do? Nejeden kr\u00e1t sme vysed\u00e1vali vo Vespe v Bratislave, kde Rudova ilustr\u00e1cia vis\u00ed. Sedeli sme, napch\u00e1vali sme sa plnen\u00fdmi […]<\/p>\n","protected":false},"author":1,"featured_media":3451,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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